Just a post to draw attention to my new article about representable functors and their links to adjoint functors. It’s very short, but it gives a reason for being interested in representable functors: they are basically “those with left adjoints”, up to minor quibbles.

I’m clearing out my desktop again, and found this document on the multiplicativity of the determinant, which I wrote in 2014. It might as well be up here. I should note that this document contains no motivation of any kind. It is simply an exercise in symbol-shunting, and it has no clever ideas in it.

Another short post to highlight the existence of an article about the Monadicity Theorems, in which I prove one direction of both the Crude and Precise versions. Comments and corrections would be very much appreciated, because there is an awful lot of work involved in proving those theorems. It would be good to know of any parts where the argument is unclear, unmotivated, too long-winded, or wrong.

Just a post to draw attention to my new article about the General Adjoint Functor Theorem. It’s a motivation of the GAFT and its proof. I’ve never seen it motivated in this way, and it’s actually quite a natural theorem. I haven’t managed to motivate the Special Adjoint Functor Theorem at all, although I’m told that it’s natural if you know Stone-Cech compactification.

In the Part III Topics in Set Theory course, we have used forcing to show the consistency of the Continuum Hypothesis, and we are about to show the consistency of its negation. I don’t really grok forcing at the moment, so I thought I would go through an example.

As an exercise in understanding the definitions involved, I find the Eilenberg-Moore category of a certain functor.

It has been proposed to me that if one is to play the National Lottery, one should be sure to select one’s own numbers instead of allowing the machine to select them for you. This is not an optimal strategy.

Here I explain proof by contradiction so that anyone who has ever done a sudoku and seen algebra may understand it.

In the summer of 2015, I worked through Awodey’s Category Theory, and I produced a large collection of posts as I tried to understand its contents. These posts are probably not of much interest to anyone who is just looking for something to read, so they’re siloed off.

In which I am a wizard. Sometimes as a student, the work piles up and I start to think “I’ll never finish this”. It becomes easy to think that there’s no point in working because the work will never be over. When that happens to me, I imagine that my course is magic/alchemy/something with flashy special effects. I’m going through the Wizardry Academy, and I’ll graduate able to manipulate the four elements.

I’m clearing out my computer, and found a file which may as well be here. Chunking: The first thing to do is to run through the sentence, identifying the verbs and anything that looks like it might be a verb (even in a strange form, like “passus” or “ascendere”). Run through a second time, looking for structures like “ut + subjunctive” and “non solum… sed etiam…” - if a verb you spotted is in an odd form, this is when you look quickly for why it’s in that form.

I recently saw a problem from an Indian maths olympiad: There is a square arrangement made out of n elements on each side (n^2 elements total). You can put assign a value of +1 or -1 to any element. A function f is defined as the sum of the products of the elements of each row, over all rows and g is defined as the sum of the product of elements of each column, over all columns.

I’ve just come back from seeing Interstellar, a film of peril and physics. This post will be spoiler-free except for sections which are in rot13. I thought the film was excellent. My previous favourite film in its genre was Sunshine, but this beats it in many ways, chiefly that the physics portrayed in Interstellar - relativity, primarily - is not so wrong that it’s immediately implausible. Indeed, some physics-driven plot twists (such as gvqny sbeprf arne n oynpx ubyr) I called in advance, which is a testament to how closely the film matched my physical expectations.

In which I provide my favourite carols and my favourite renditions of them. In no particular order, except that 1) must be at the start and 9) at the end. Once in Royal David’s City. Always opens the Festival of Nine Lessons and Carols. Has the same problem as 9) in that the only nice recordings seem to have congregations in, but I suppose that’s all part of it.

Wherein I detail the most beautiful proof of a theorem I’ve ever seen, in a bite-size form suitable for an Anki deck. I attach the [Anki deck], which contains the bulleted lines of this post as flashcards. Statement There’s no particularly nice way to motivate this in this context, I’m afraid, so we’ll just dive in. I have found this method extremely hard to motivate - a few of the steps are a glorious magic.

A very brief post about the solution to a problem I came across in Python. In the course of my work on Sextant (specifically the project to add support for accessing a Neo4j instance by SSH), I ran into a problem whose nature is explained here as the Name Shadowing Trap. Essentially, in a project whose root directory contains a bin/executable.py script, which is intended as a thin wrapper to the module executable, you can’t import executable, because the bin/executable.

One day, a group of investors came to Bezos in the Temple and begged of him, “You are known throughout the land for your wisdom. Please tell us: what lessons did you learn early in life, which we have not yet learnt?” Bezos replied thus. “When I was but a child, when I had not yet seen seven summers, I discovered that my teacher had a bountiful store of chocolates hidden in the stationery cupboard.

I have a limited form of perfect (absolute) pitch, which I am sometimes asked about. Often it’s the same questions, so here they are. No doubt people with better perfect pitch than mine will be annoyed at this impudent upstart claiming the ability, but perfect pitch comes on a spectrum anyway. Apparently some people can identify notes to within the nearest fifth of a semitone, while some can only identify the semitone closest to the note.

A couple of weeks ago, someone opined to me that there was a type of person who was just able to sit down and play at the piano, without sheet music. I, myself, am capable of playing precisely one piece inexpertly, from memory, at the piano. (My rendering of that piece is nowhere near the arranger’s standard.) I can play nothing else without sheet music. I very much think that this is the natural state for essentially every musician who has not spent thousands upon thousands of hours practising in a general way.

In my activities on The Student Room, a student forum, someone (let’s call em Entity, because I like that word) recently asked me about the following question. Isaac places some counters onto the squares of an 8 by 8 chessboard so that there is at most one counter in each of the 64 squares. Determine, with justiﬁcation, the maximum number that he can place without having ﬁve or more counters in the same row, or in the same column, or on either of the two long diagonals.